BIOMYTHOGRAPHY - d'bi young anitafrika

Run, wheel, scoot, bus, drive or take handidart to see d'bi young anitafrika perform Blood Claat at the Firehall, last chance for the Vancouver run, Saturday April 17, 2pm and 8pm. Fan-freakin-tastic! She embodies all 12 characters so completely - young, old, female, male. Characters like a teenage girl, granny, auntie, uncle, bus conductor, boyfriend, priestess, warrior all reveal their different relationships to blood. Her sweat and tears are hard earned, it will touch you in a deep place, and make you think about, everything. She is an extraordinary storyteller, sit in the second row for the most fun and laughs! Support women in theatre! Talkback with d'bi after each performance, you'll be glad you stayed.

'Blood.claat, is a story told through multiple generations in which rituals travel in symbolic cycles of scorn and celebration exposing rites in which all metaphors unite in the fluid of life.'

I had the pleasure of being wowed by her entrancing dub poetry at the folk festival last year, once you have seen her perform, you won't want to miss her ever again! Check out the youtube clip where she talks about dub theatre.  Her website for her  performance centre in Toronto anitafrika dub theatre, or an interview with her talking about her work  here.  

She works in the genre of biomyth(ography) as presented by the wonderful writer Audre Lorde, (1934 - 1992) as do I. Hmm maybe I will dust of that three generational play and finish it sometime! Feeling inspired! It was Audre Lorde who wrote: "We must be the change we wish to see in the world." I found Audre Lordes work in the late 80's/early 90's, from memory 'Zami: a new spelling of my name', and 'The Cancer Journals.'

Blood Claat is the first part of a trilogy of works d'bi is currently touring: 

'blood.claat (the first play in d'bi.young's biomyth-monodrama trilogy entitled sankofa) was nominated for five dora mavor moore awards in 2006, and won in the categories of outstanding new play and outstanding female performance. it toured canada extensively and was published as a bilingual 1st edition (english/spanish) by playwrights canada press. d'bi.young is presently completing benu (part 2), originally commissioned by montreal's la chapelle theatre and supported by factory theatre and word! sound! powah! (part 3), originally commissioned by soulpepper theatre and supported by canstage theatre. young's first play, a two-hander co-written by naila belvett, entitled yagayah was published in testifyin': contemporary african canadian drama in 2003. her second two-hander androgyne was produced by buddies in bad times theatre in 2007. young is the 2009-2010 playwright-in-residence at canstage theatre and is a member of the tarragon playwrights unit 2010.'